[WARNING ABOUT PROBABLE SPOILERS]Well, well, I never believed I'd update my journal with such a miscellaneous stuff, but being noticed about how much I'm enjoying with my special DVD edition of Hellboy: The Golden Army, I suddenly feel obliged to make some kind of big comment or something. Just a stupid try to show the world what a kind of fanboy I am of Hellboy and his last film version xD.
Well, of course I must say my first encounter with Hellboy was in the original comic format, and I found it pretty badass at that precise moment. The perfect mix between folklore and myths, demonology and Lovecraftnian influences, the awesome romanesque-like graphic art, the outrageous cool characters, and that particular BPRD (another sort of mix between Ghostbusters, X Files, Men in Black) captivated me at the first moment. And then, the first movie version came out. I found it VERY accurate with the original comic (something very strange, specially when you try a live version of a non-ordinary plot like Hellboy), and a very interesting contribution to Mignola's scripts: the father-son relationship between Red and Prof. Bloom, the non-sickly sweet Hellboy&Liz relationship (with GREAT sense about the big red's fireproof nature), the new creepy version of Kroenen... Oh, yeah, I think Kroenen was the BEST of that movie, though Sammael had a great design too.
But I think the most important thing that movie gave to me was the chance to meet Guillermo del Toro, one of the best fantastic directors I've ever knew. I saw two movies of him before, as Blade II and The Devil's Backbone (El Espinazo del Diablo in its original Spanish title), but I didn't knew him very well until that. And then, he came out with the shocking but beautiful Pan's Labyrinth, showing the entire world what he understands about fantasy.
And a few years later... Hellboy: The Golden Army! Surprizingly, an original del Toro's script, but perfectly worthy of the best Hellboy comic storylines. I think for me and a lot of people, that movie was some sort of Pan's Labyrinth spiritual sequel, besides the second film adventure of the red demon. For me it's one of the best fantasy elements displays I've ever seen in cinema since Jim Henson's Labyrinth and Dark Crystal. Once I came out from the cinema, I fell in need of see more of that magical word inside del Toro's mind. Maybe I should go point by point first:
-Hellboy universe: of course, keeping the previous universe around Hellboy and the BPRD agents built in the first movie was pretty important to prevent the movie to become in a hollow visual effects display. And the great point is del Toro really achieves that, with excellent changes. Hellboy & Liz relationship becomes one of the most realistic ones I've ever seen in a film (pretty paradoxical coming from such freaks xD), with that natural arguments about living space, and Liz's worries about her pregnancy. Abe becomes more important than the first movie, and he shows us his most sensitive side. And he gives us away one of the most hilarious scenes I've ever seen, with that "I Can't Smile Without You" drunk version in unison with Hellboy. And, in the end, there's the new guy, the German ghostly medium Johan Krauss (who's not pretty known about most people who saw the movie to be an original BPRD comic character); his arguments with Hellboy and his self-satisfied talking is just hillarious.
-The Elf Kingdom: Well, since this movie I must say I REALLY trust Guillermo del Toro to be a great director of The Hobbit film version. You know, I'm completely NOT against people who loves Lord of the Ring's elves concept (in fact, I was a big follower of it myself), but after all that LOTR's obsession which enclosed the movies, I began to think that old classical fantasy concepts needed some sort of revision. You know, the classical elves are cool, but repeating once and another the same idea makes it stagnant and antiquated. And, as my old teacher of Greek said once, "you need to go to the origin if you wanna become original". And that's precisely what Guillermo del Toro made with his Hellboy elves: creating them from the VERY original Irish and Celtic foklore. I know, Tolkien did the same, but what makes del Toro's and Tolkien's elves different is the point of view. Tolkien saw them as the nearest folks to the gods, some sort of prophetic people who represent prefection itself, just cause they learned directly from that gods. Guillermo del Toro sees at his elves as survivors, very linked to woods and nature, burning inside in hard controversial feelings: keeping faithful to the old truce with humans, even if that means their own end, or rebel against that.
And that's the point when I speak about probably the most faved character of the whole movie: Prince Nuada. Yeah, fangirls, I perfectly understand what do you feel about this guy, and I must recognize you're right

xD. In fact, I'd dare to say he's one of the most interesting villains I've ever seen. He's not just a puppet of evil Lovecraftnian astral gods who pursues the end of the world. He just acts moved by anger and outrage, doing what he believes in the deeper of his heart is the best for his people. He's a complex character who couldn't show us all his narration possibilities just for script needs, and I really though that was a shame he had a so predictable death

. But, you know, that doesn't mind after all, cause I know he's that kind of characters who keeps alive by all that fanarts and fanfics made by people who noticed about how many different stories Prince Nuada or his own Elf kind can still give us away. As a final point, I'll say I LOVE Nuada's battle scenes (GREAT choreographies, no matter some people says del Toro doesn't know to film action moments), and his absolutely well-designed silver blade-lance (I'm the only one who thinks that weapon looks like the mythical Gae Bolga of Cu Chulainn?)
-The Magic world: I know, this is becoming too long, so I'll try to resume everything about the magic world in this single point. I'm sure the first scene coming to everyone's mind is the Troll Market. You know, I'd vote for it as one of the best film scenes ever, near to the famous Mos Eisley cantina scene at the first Star Wars movie. And THAT's precisely what I found in the Troll Market, with the nice touch of ethnical spirit: a bit of Blade Runner market, a bit of Star Wars, and a lot of a Turquish bazaar with some isolated African and East-European elements. The Guillermo del Toro special report on DVD edition lets oneself to discover a lot of that little details you'd surely overlook in a normal film watch.
Just for finishing, I'd like to mention a pair of excellent designs: Tooth Fairies and the Angel of Death. The first one are some sort of funny, cute... and devilish xD. The second one... well, is creepely awesome. A perfect mix between the Faun's wisdom and the Pale Man's horrific presence. Oh, true! I almost forget the Forest God scene. One of the most poetic deaths of a giant creature I've ever seen on the screen.
There's a lot of things I still could say about this movie, but I think this became too long for now ^^u. Just my own wish to make you know how much I enjoyed of this movie, maybe not a masterpiece for many of you, but a great enjoyable creative inteligent entertainment for me; and, of course, to show how such a fanboy I can be xD.
See ya!